Physautotype – redux

I finally got the process as far as this, it’s about as far as I’m going to take it for now.

Image

This is a contact print from a lith negative. I coated both sides of a glass plate (gives a nice three dimensional effect) in a solution of violin rosin in ethyl alcohol (0.5g in 100ml) and then contact printed it for about three days exposure to blue sky on a window sill (this is not instant photography – If exposed to direct sunlight it’d be far faster), then developed it by exposing it to the fumes of mineral turps from about 1cm away on a flat plate. A separate development for each side.

This is the process that Niepce referred to briefly in one of his letters to Dageurre in the 1820’s – he said that printed on glass it makes a pleasing image when viewed in front of a dark surface. This (mine) is sandwiched in a black perspex case with a glass cover to protect it. I offered this to Geoffery Batchen, but he never responded, so it’s going in a box I guess.

I’m not taking this experiment any further for the forseable future, I’m thinking of a project involving travel, that and paying down a 78 thousand dollar student loan šŸ˜›

Post masters

Well, I got an MFA (jack of all trades, Master of F*ck All) with distinction, and have since come down again, I’m currently working as a cleaner for the money, and thinking of what i can get up to – I suspect it involves work, travel, and photography.

It’ll take me probably till the end of the year to stabilize my finances and save enough to be looking at Australia as a work and saving money option, from there, probably Thailand, that’ll be something like 2 years away though. I do like the idea of checking out South America too.

I’ve done upwardly and downwardly mobile, time to try outwardly mobile methinks.

Oh, I’ll be getting some camera reviews done in the near future on random camera’s I use, before i sell a bunch of em.