Archive for the ‘beastiary.’ Category
I finally got the process as far as this, it’s about as far as I’m going to take it for now.
This is a contact print from a lith negative. I coated both sides of a glass plate (gives a nice three dimensional effect) in a solution of violin rosin in ethyl alcohol (0.5g in 100ml) and then contact printed it for about three days exposure to blue sky on a window sill (this is not instant photography – If exposed to direct sunlight it’d be far faster), then developed it by exposing it to the fumes of mineral turps from about 1cm away on a flat plate. A separate development for each side.
This is the process that Niepce referred to briefly in one of his letters to Dageurre in the 1820’s – he said that printed on glass it makes a pleasing image when viewed in front of a dark surface. This (mine) is sandwiched in a black perspex case with a glass cover to protect it. I offered this to Geoffery Batchen, but he never responded, so it’s going in a box I guess.
I’m not taking this experiment any further for the forseable future, I’m thinking of a project involving travel, that and paying down a 78 thousand dollar student loan 😛
A book I made as a test;
Another. – Yup, the blue ones are taxidermied.
Vandykes of wee plastic animals.
Tempera print of a fishing lure.
And a gum print of a model tiger.
I made that as a test to see how people reacted to a particular set of ideas – and discovered that I’m on the right track, but with a few caveats – for one, people devalue regular binding, even hand made – probably because they can pick up something that looks (superficially – but who can see past that these days?) similar for a few dollars from a discount store.
Also how much hand can be visible, and what the aesthetics should look like – As a result I’ll go more towards something like this;
The covers are ok, need a bit of sanding and some sort of treatment Shellac or wax/oil – the thread needs to be much thicker – perhaps embroidery thread, and I’ll probably move to using Hahnemuhle bamboo for the paper stock as it’s cheap, decent quality, and is conceptually in line with the recycled covers – final piece prolly won’t have ply covers, but we shall see..
I might be making some sketch books like this – prolly with laser etched covers. I feel a squirrel rampant coming on.
Some things I’ve tried – first up an orotone – which is a fancy term for painting the back of a positive gold (you’re supposed to use a ‘particular’ paint, but whatev’s, I just used oil paint)
A black print (yup, I made that name up) – sorta like an ambrotype, but not like an ambrotype at all (silver gelatine liquid emulsion based) – I’m handing in one of these this week – it’s washing as I type.
The second I got a line;
The third I got a rhinoceroses bottom;
I messed up the development a bit, but it’s proof of concept – violin rosin and meths with mineral turps as a developer – a la Niepce. I’ve figured out a couple of things to improve the print – but learning to coat the stuff onto glass is top of the list – not easy compared to gelatin, or even collodion.
I have a masters crit Thursday, so after that I’m looking forward to doing some more of them, fun!
Further to the painted duck…
As I may (or may not have) mentioned I finished painting the duck, and took it out for water trials today – for the event I uplifted a D200 and a 12-24 from school, mainly shooting it at 12mm.
Well, I learned some stuff today, one was that while I like the Nikon I was playing with, it’s not the ideal tool for the task, for one it looks bloody expensive and I had to put it down and walk away a few feet a couple of times, it’s also not even slightly waterproof, which leads me to think that my old fujica with some colour film and a 24mm lens is a more appropriate tool for the job – especially when I need to go wading.
Which brings me to the second thing i discovered – the water is icky, wet, smelly (chlorine) and it’s freakin cold – something I need to anticipate next time – that and the fact that the duck runs away, necessitating wading after the bugger.
Thirdly I discovered something rather obvious that should have occurred to me before I got to actually taking photographs. This is that urban camouflage actually works remarkably well as camouflage (who woulda thunk it?) – it really does break up the ducks form surprisingly well, thus the shots need to be pretty considered in terms of silhouette and background – they also need to be colour for pretty obvious reasons.
Oh, and this was fun – accidental shutter release whilst stepping down off a low wall.
Stuff? Well,now have a shiny new exposure unit (The Squirrel Mk.2?) – it’s made of custom wood, glue, sticky tape and paint;
Actually looks kinda fancy, it’s 10×12 format, for a bit of space with 8×10’s – it seems to cover it’s area pretty well – at least with cyanotype and gum bichromate, seems to work as well as expensive stuff, albeit somewhat more slowly.
I also now have cyanotype chemistry to play with, I’ll need to calibrate stuff, but i did a print of a branch just for kicks – this is what it looked like before washing out (after exposure);
And this is after washing (inverted);
I’ve also re-started another project, which is about images rather than techie printing stuff, photographing wee animal facsimiles (only been on that topic since 2009 😀 ). This is one from the very end of last year;
I’m using a 1/4 plate camera for this, I’ve modified it to take 3×4 graflex holders, I spent the afternoon at home attempting to get a result with camera flashes and a bedside lamp, the results were predictably enough rather shite;
That’s a (somewhat shoddy) digital inversion, so I should be able to scrape an image out of that neg with a bit of pencil work (You can draw on the backs of paper negs to get highlight detail, pencil is a good tool for this). I then sucked it up and went into school and set up some proper lights, and a proper tripod, which looked like so;
You can see the basic set up here – light tent, about 1000w of painfully frigging bright lighting, and my camera – yup, the view glass is hand made, seems to work ok *shrug*
Gratuitous shot of the focussing glass – the red is a sweater I was using to cut down reflections.;
Yes, upside down, which actually makes it easier to compose in some strange way – not sure what the reflection is of, might be my hair. The marker lines make it easier for me to line stuff up for different formats.
That’s what the camera looks like now, you can see that I’m using it at near full extension, the back was designed originally for septums, which after 100 odd years don’t really exist any more, so I removed the back and rebuilt it to take graflex 3×4 double dark slides – they’re just held in place by friction with velvet, so I’ll never have sub millimeter precision, but it does 1:1 macro happily enough below f22. The bit in the back is the removable focus screen, the inside is hardwood that I’ve sanded to the right thickness, a piece of sanded glass, and some cheap customwood for the actual back – I might get around to painting that one day. it’s not original, but it works rather well.
Finally, I found a cheap knockoff etch a sketch sort of toy with candy in it today (the sort with a magnetic stylus) for 39 cents, so I snaffled it up happily enough (they’re kinda fun, and candy is nice), but waiting for me inside was this dire warning;
Unhappy face indeed.