I guess this is where I do the ghost of Christmas future, having done present and past. Though to be honest I watched the Dr Who version of that story recently and am currently thinking of the flying shark, so, be warned, I may not be channelling Dickens in an academically appropriate manner.
In my art practice, what are my ongoing concerns;
Firstly the very idea of representation, and re-presentation are important – the former is a means of denoting something that stands for a meme or an idea it is conceptual – much in the manner that a (ostensibly female) model could stand for femininity (or a range of feminine ideals), the god awful “The two ways of life” (which admittedly someone had to do so I shouldn’t be too derisive of poor Oscar, dear chap) stands as an allegory for the choices that upright Christians must necessarily make between the left and right paths and suchlike – it is allegory, and metaphor, and as somebody who loves writing (note I didn’t say ‘good writing’) this interests me deeply.
Re-presentation on the other hand – and this is a purely personal distinction in terms – is when something is taken from it’s natural state (indeed, it’s original presentation) and re~presented by an outside agency as an original artefact, realistic and whole – think of how different contentious (or merely targeted) demographics have been promoted by their detractors – this also intrigues me, though I feel that somehow it is necessary to differentiate these terms, they are problematic in that each shades to the other, but identifying the extremes is nevertheless a worthwhile use of intellectual energy, even if it does lead to tone arguments and arbitrary distinctions.
The Photographic – the writing with light, or even Skiagraphic – writing with shadow (I have no idea how to format that sentence formally), is a fascination of mine also – this entails a whole spectra of options, from human vision to human failure of vision – to set arbitrary boundaries which are pseudobinaristic, but more properly merely a spectrum – I am fascinated by Light, Vision, Articulation, and the boundaries of my own senses. The Claude glass, and the infra spectral.
Sensory phenomena – not merely visual – I have hearing loss in a major way, though compensated otherwise, and work daily with a range of perception issues – some give me a sensory deficit, and some give me extra ordinary senses (as in more than usual, but they’re ordinary to me – colours glow complimentary in darkness (dimness?) for instance and I can track chocolate like a champion). Much of the video/audio work that I have done is along these lines. I still have no idea how to present smell adequately as a painting medium, despite having attempted and failed at this since circa 2000 – (the chocolate secret is all mine (my prechusss).
Yes, I am fascinated with the semantic, and the semiotic. these distinctions, when used thoughtfully can lead to a crystalline elegance in description – I appreciate the difficulty of stepping into this wavelength, but the elegance of distinction is more than worth it when I get it right – I know that a few people can follow what I say, even if many cannot, or perhaps simply cannot be bothered.
And media (see what I did there,? no?), I am simply in thrall of media, I love… not the stuff – as someone recently stated, but, what can be done with the stuff (‘stuffness’ is not a real word btw). Camera’s are neat, but so are paint brushes, and they’re a damn sight easier to learn how to make. I have a lot of media which I will draw from. I like physicality, both in art media, but also in myself and the world at large – from the martial arts I have done, I would say that the most important thing I’ve learned is where my body ends and the world begins – the extent of my influence as it were. My body, my art, what i make, and what i leave behind – these are important in terms of the trace i leave. Media is broad.
Though I am not entirely sure that identity politics (arguing them at least) is important, I am interested in how identity sits within the world. Personal, national, sexual, whichever. As a means of distinction this ties straight back into representation – and there we have a loop, already, after a mere seven hundred fifty odd words.
And I hope you know that my answer would be different tomorrow, cos my interests aren’t narrow at all – even if I am capable of focussing them rather sharply as need be.